Dinner and Drinks, a play written and directed by Todd Sullivan (that's me, by the way) will be on stage at the Limelight in August. Dates are tentatively set for August 10 and 11, and August 17 and 18. Here's the somewhat flowery synopsis I came up with a few weeks back:
"Four scenes involving three different couples, out for dinner on the same evening. The first couple struggles through the awkward aftermath of an unexpected one-night stand. The second couple, on the verge of divorce, find their attraction briefly rekindled by the most mundane of things — a post-break-up division of property. The third couple attempts to deal with the uncomfortable issue of stale bedroom activity after a few too many drinks. In the final scene, the first couple is revisited, ending the play on an upbeat note of hope, and a celebration of taking chances to achieve the things that are the most important."
This is obviously exciting for me, as a writer, to have the opportunity to actually put something I've written onto the stage, and see people go through the motions, reading the dialogue, and bringing it to life. This is also exciting for me, as a writer, because it should give me the opportunity to polish the heck out of this thing, because in seeing people delivering the lines, I'll be able to spot the lines that aren't working, that are clunky, that need to be fixed, or cut, or lengthened.
Hopefully it'll be exciting for the actors too, as they'll be able to have some input into the creation of the script. They'll be able to say, "You know, this line seems sort of awkward," and, with the playwright in the room, actually have someone there who can change it.
Of course, there'll be challenges for the actors as well -- if the script is going to be constantly modified, they'll be constantly learning new lines. But hey, we're not in this theatre thing for the glory, are we? No, we're in it for the challenge. And sometimes glory.
Given the subject matter of the play, there is of course the potential to offend, so the trick in the promotion will be to ensure that we're upfront about that subject matter, and make sure that we don't get people in the audience who aren't going to appreciate it. It's a problem I've had in the past (particularly with "Some Things You Need To Know Before The World Ends: A Final Evening with the Illuminati") when the marketing of a show didn't quite bring in the intended audience.
I've been nearly bursting at the seams waiting for this to become officially greenlit so I could make the announcement of it. That moment has finally arrived.
If you're reading this, and you want to take part, auditions will be held on May 19 at 7:00 pm and May 20 at 2:00 pm. Hope to see *someone* there.